Set in the 1790s, this historical drama follows the travails of an idealistic noblewoman who helps lead a daring revolution in Italy.

An upper middle class married couple find their lives spiraling out of control when they decide to take justice into their own hands and seek retribution against their neighbor.

本片是基于英国著名演员Colin Firth于2000年发表的短篇小说"Department of Nothing"改编而成。 　　Plot:For Henry - an eleven year old boy, isolated and friendless - his granny's stories are the only thing that get him through the day. But when she suffers a stroke, it is left up to him to find the end of her last story. 　　Awards: 　　2007 won People's Choice Award—Audience Award for Best Film 　　2007 won West Australian Screen Award—Best Actor Nicholas Stevenson 　　Produced by 　　Ron Elliott .... executive producer 　　McGee Noble .... producer 　　Original Music by 　　Owen Hughes 　　Ben Nicholls 　　Cinematography by 　　Melissa North 　　Film Editing by 　　Vegard H. Sorby 　　Art Direction by 　　Michelle Hall 　　Costume Design by 　　Michelle Hall 　　Sound Department 　　Todd Barac .... sound assistant 　　Owen Hughes .... sound 　　Fidah Rashid .... sound assistant 　　Visual Effects by 　　Vegard H. Sorby .... visual effects 　　Other crew 　　Annabelle Fouchard .... production assistant 　　Michael Hatch .... runner 　　Lana Roberts .... production assistant 　　Rebekah F. Smith .... script editor 　　James Trevor .... production assistant 　　Thanks 　　Jonathan Liebesman .... special thanks 　　Ken Miller .... thanks

A passionate group of film-makers, tell the comedic tale of two brothers negotiating the trials and tribulations of producing a Hollywood film.

本片是基于英国著名演员Colin Firth于2000年发表的短篇小说"Department of Nothing"改编而成。 　　Plot:For Henry - an eleven year old boy, isolated and friendless - his granny's stories are the only thing that get him through the day. But when she suffers a stroke, it is left up to him to find the end of her last story. 　　Awards: 　　2007 won People's Choice Award—Audience Award for Best Film 　　2007 won West Australian Screen Award—Best Actor Nicholas Stevenson 　　Produced by 　　Ron Elliott .... executive producer 　　McGee Noble .... producer 　　Original Music by 　　Owen Hughes 　　Ben Nicholls 　　Cinematography by 　　Melissa North 　　Film Editing by 　　Vegard H. Sorby 　　Art Direction by 　　Michelle Hall 　　Costume Design by 　　Michelle Hall 　　Sound Department 　　Todd Barac .... sound assistant 　　Owen Hughes .... sound 　　Fidah Rashid .... sound assistant 　　Visual Effects by 　　Vegard H. Sorby .... visual effects 　　Other crew 　　Annabelle Fouchard .... production assistant 　　Michael Hatch .... runner 　　Lana Roberts .... production assistant 　　Rebekah F. Smith .... script editor 　　James Trevor .... production assistant 　　Thanks 　　Jonathan Liebesman .... special thanks 　　Ken Miller .... thanks

An artistic couple living in Austin, Texas, wake up one day to discover they are the last two people left on Earth.

Cetto and its city council were arrested, but in prison the conspiratorial former mayor makes no earning name as the gratitude of the powerful secretary. These decide to replace some MPs mysteriously killed precisely with Cetto and two other characters: Rodolfo Favaretto and Frengo Stop

When a very successful CEO is fired for refusing to take bribes from his recently appointed corrupt boss, he finds himself homeless, as well as jobless, and finds himself reduced to begging on the streets in order to survive. But upon meeting a beautiful, young woman, his lust for life returns, inspiring him to go out and regain all that was once his, with revenge on his former employer at the top of his list

A multi-chapter rumination on the cultural dilemma of the disgraced popular icon. Considering how collective, systematic failure led to cases of abuse from powerful figures in the cultural scene, this work proposes a conflict between the enjoyment of and respect for their creative work and what we now know (or at times failed to recognise) about their behaviour.

Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.